Zeiss Hollywood Distagon 2.0/28 T* AEG vs Zeiss Distagon 2.8/28 T*
Zeiss Hollywood Distagon 2.0/28 T* AEG vs Zeiss Distagon 2.8/28 T*
When comparing Zeiss Distagon 2.8/28 T* and Zeiss Hollywood Distagon 2.0/28 T* AEG, which one is better?
1. Largest Aperture Comparison
The Zeiss Hollywood Distagon 2.0/28 T* AEG has the largest aperture of the two lenses at 2 compared to the 2.8 aperture of Zeiss Distagon 2.8/28 T*. This means that you get more light to your sensor using Zeiss Hollywood Distagon 2.0/28 T* AEG wide open, and therefore it might be a better lens in dark situations.
Winner: Zeiss Hollywood Distagon 2.0/28 T* AEG
Regarding largest aperture: A lower aperture number means that the widest aperture on the lens is larger. This means that more light will hit the sensor and also that the depth of field will be shallower, better separating your subject from the background.
Specifications
Full specifications table of Zeiss Hollywood Distagon 2.0/28 T* AEG and Zeiss Distagon 2.8/28 T*:
| Zeiss Hollywood Distagon 2.0/28 T* AEG | Zeiss Distagon 2.8/28 T* | |
 | | |
| Brand | Zeiss | Zeiss |
| Lens Mount | Contax Yashica C/Y | Missing |
| Focal Length | 28 mm | 28 mm |
| Largest Aperture | 2 | 2.8 |
| Type | Prime | Missing |