Zeiss Hollywood Distagon 2.0/28 T* AEG vs Zeiss Batis 2.8/18
Zeiss Hollywood Distagon 2.0/28 T* AEG vs Zeiss Batis 2.8/18
When comparing Zeiss Batis 2.8/18 and Zeiss Hollywood Distagon 2.0/28 T* AEG, which one is better?
1. Lens Mount Comparison
The lenses each feature different lens mounts — the Zeiss Hollywood Distagon 2.0/28 T* AEG features a Contax Yashica C/Y while the Zeiss Batis 2.8/18 features a Sony E — and because of this the preference varies. If you have a compatible camera, then of course that lens will be a better choice for you.
Winner: Tied — It depends on your gear
Regarding lens mount: Popular lens mounts are Canon RF and EF, Micro Four Thirds and Nikon Z. Different lens mounts lets you connect different lenses to camera bodies, but some might not be compatible. This can be helped by using an adapter, like a Canon EF to RF adapter.
2. Largest Aperture Comparison
The Zeiss Hollywood Distagon 2.0/28 T* AEG has the largest aperture of the two lenses at 2 compared to the 2.8 aperture of Zeiss Batis 2.8/18. This means that you get more light to your sensor using Zeiss Hollywood Distagon 2.0/28 T* AEG wide open, and therefore it might be a better lens in dark situations.
Winner: Zeiss Hollywood Distagon 2.0/28 T* AEG
Regarding largest aperture: A lower aperture number means that the widest aperture on the lens is larger. This means that more light will hit the sensor and also that the depth of field will be shallower, better separating your subject from the background.
3. Lens Type Comparison
Both lenses are Prime lenses, which means that you can choose both Zeiss Hollywood Distagon 2.0/28 T* AEG or Zeiss Batis 2.8/18 if you're looking for that type of lens.
Winner: Tied
Regarding type: There are two types of lenses; zoom lenses and prime lenses. Prime lenses have a fixed focal length and cannot be zoomed, while zoom lenses have a focal length range and can be zoomed in to get closer to the subject. Prime lenses are usually lighter, cheaper and let in more light. Zoom lenses are more versatile but are more expensive since they require a more advanced lens design.
Specifications
Full specifications table of Zeiss Hollywood Distagon 2.0/28 T* AEG and Zeiss Batis 2.8/18:
| Zeiss Hollywood Distagon 2.0/28 T* AEG | Zeiss Batis 2.8/18 | |
 |  | |
| Brand | Zeiss | Zeiss |
| Weight | Missing | 330 g |
| Lens Mount | Contax Yashica C/Y | Sony E |
| Focal Length | 28 mm | 18 mm |
| Largest Aperture | 2 | 2.8 |
| Anamorphic | Missing | No |
| Minimum Focus Distance | Missing | 25 cm |
| Type | Prime | Prime |
| Aperture Range | Missing | 2.8 - 22 |
| Filter Thread Diameter | Missing | 77 |
| Lens Groups | Missing | 10 |
| Lens Elements | Missing | 11 |
| Image Stabilization | Missing | No |
| Autofocus | Missing | Evet |
| Macro | Missing | No |
| Weather Seal | Missing | Yes |
| Full Frame Coverage | Missing | Yes |