Zeiss Hollywood Distagon 2.0/28 T* AEG vs Meike 6.5mm F2.0 APS-C Fisheye (Sony E Mount)

Zeiss Hollywood Distagon 2.0/28 T* AEG

Zeiss Hollywood Distagon 2.0/28 T AEG

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Meike 6.5mm F2.0 APS-C Fisheye (Sony E Mount)

Meike 6.5mm F2.0 APS-C Fisheye (Sony E Mount)

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Zeiss Hollywood Distagon 2.0/28 T* AEG vs Meike 6.5mm F2.0 APS-C Fisheye (Sony E Mount)

When comparing Meike 6.5mm F2.0 APS-C Fisheye (Sony E Mount) and Zeiss Hollywood Distagon 2.0/28 T* AEG, which one is better?

1. Lens Mount Comparison

The lenses each feature different lens mounts — the Zeiss Hollywood Distagon 2.0/28 T* AEG features a Contax Yashica C/Y while the Meike 6.5mm F2.0 APS-C Fisheye - (Sony E Mount) features a Sony E — and because of this the preference varies. If you have a compatible camera, then of course that lens will be a better choice for you.

Winner: Tied — It depends on your gear

Regarding lens mount: Popular lens mounts are Canon RF and EF, Micro Four Thirds and Nikon Z. Different lens mounts lets you connect different lenses to camera bodies, but some might not be compatible. This can be helped by using an adapter, like a Canon EF to RF adapter.

2. Largest Aperture Comparison

Both lenses share the same aperture of 2 — this means that you may buy both Zeiss Hollywood Distagon 2.0/28 T* AEG and Meike 6.5mm F2.0 APS-C Fisheye - (Sony E Mount) in this regard; they''re the same.

Winner: Tied

Regarding largest aperture: A lower aperture number means that the widest aperture on the lens is larger. This means that more light will hit the sensor and also that the depth of field will be shallower, better separating your subject from the background.

3. Lens Type Comparison

Both lenses are Prime lenses, which means that you can choose both Zeiss Hollywood Distagon 2.0/28 T* AEG or Meike 6.5mm F2.0 APS-C Fisheye - (Sony E Mount) if you're looking for that type of lens.

Winner: Tied

Regarding type: There are two types of lenses; zoom lenses and prime lenses. Prime lenses have a fixed focal length and cannot be zoomed, while zoom lenses have a focal length range and can be zoomed in to get closer to the subject. Prime lenses are usually lighter, cheaper and let in more light. Zoom lenses are more versatile but are more expensive since they require a more advanced lens design.


Specifications

Full specifications table of Zeiss Hollywood Distagon 2.0/28 T* AEG and Meike 6.5mm F2.0 APS-C Fisheye (Sony E Mount):

Zeiss Hollywood Distagon 2.0/28 T* AEG Meike 6.5mm F2.0 APS-C Fisheye - (Sony E Mount)
Zeiss Hollywood Distagon 2.0/28 T AEGMeike 6.5mm F2.0 APS-C Fisheye - (Sony E Mount)

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Price ➔

BrandZeissMeike
WeightMissing300 g
Lens MountContax Yashica C/YSony E
Focal Length28 mm6.5 mm
Largest Aperture22
AnamorphicMissingNo
TypePrimePrime
Image StabilizationMissingNo
AutofocusMissingEvet
MacroMissingNo
Weather SealMissingNo
Full Frame CoverageMissingNo


Camera Verdict

This comparison of Zeiss Hollywood Distagon 2.0/28 T* AEG and Meike 6.5mm F2.0 APS-C Fisheye - (Sony E Mount) was last updated on December 19, 2024.