Zeiss Batis Distagon 2.8/18 T* vs Zeiss Hollywood Distagon 2.0/28 T* AEG
Zeiss Batis Distagon 2.8/18 T* vs Zeiss Hollywood Distagon 2.0/28 T* AEG
When comparing Zeiss Hollywood Distagon 2.0/28 T* AEG and Zeiss Batis Distagon 2.8/18 T*, which one is better?
1. Lens Mount Comparison
The lenses each feature different lens mounts — the Zeiss Batis Distagon 2.8/18 T* features a Sony E while the Zeiss Hollywood Distagon 2.0/28 T* AEG features a Contax Yashica C/Y — and because of this the preference varies. If you have a compatible camera, then of course that lens will be a better choice for you.
Winner: Tied — It depends on your gear
Regarding lens mount: Popular lens mounts are Canon RF and EF, Micro Four Thirds and Nikon Z. Different lens mounts lets you connect different lenses to camera bodies, but some might not be compatible. This can be helped by using an adapter, like a Canon EF to RF adapter.
Specifications
Full specifications table of Zeiss Batis Distagon 2.8/18 T* and Zeiss Hollywood Distagon 2.0/28 T* AEG:
| Zeiss Batis Distagon 2.8/18 T* | Zeiss Hollywood Distagon 2.0/28 T* AEG | |
 | | |
| Brand | Zeiss | Zeiss |
| Lens Mount | Sony E | Contax Yashica C/Y |
| Focal Length | Missing | 28 mm |
| Largest Aperture | Missing | 2 |
| Type | Missing | Prime |