SLR Magic Anamorphot-CINE 35mm T2.4 2x
Voigtländer VM II 35mm f/1,4 Nokton MC
When comparing Voigtländer VM II 35mm f/1,4 Nokton MC and SLR Magic Anamorphot-CINE 35mm T2.4 2x, which one is better?
The Voigtländer VM II 35mm f/1,4 Nokton MC has the largest aperture of the two lenses at 1.4 compared to the 2.4 aperture of SLR Magic Anamorphot-CINE 35mm T2.4 2x. This means that you get more light to your sensor using Voigtländer VM II 35mm f/1,4 Nokton MC wide open, and therefore it might be a better lens in dark situations.
Winner: Voigtländer VM II 35mm f/1,4 Nokton MC
Regarding largest aperture: A lower aperture number means that the widest aperture on the lens is larger. This means that more light will hit the sensor and also that the depth of field will be shallower, better separating your subject from the background.
Winner: SLR Magic Anamorphot-CINE 35mm T2.4 2x
Regarding anamorphic: Anamorphic lenses are usually used on cinema cameras and squeezes the image when its recorded, which gives the final, stretched out, image oval bokeh and a different angle of view. The most common lenses, however, are not anamorphic but spherical, which gives a spherical bokeh and is a much cheaper lens design.
Full specifications table of SLR Magic Anamorphot-CINE 35mm T2.4 2x and Voigtländer VM II 35mm f/1,4 Nokton MC:
SLR Magic Anamorphot-CINE 35mm T2.4 2x | Voigtländer VM II 35mm f/1,4 Nokton MC | |
Brand | SLR Magic | Voigtländer |
Lens Mount | Canon EF | Missing |
Focal Length | 35 mm | 35 mm |
Largest Aperture | 2.4 | 1.4 |
Anamorphic | Yes | No |
Anamorphic Squeeze Factor | 2 | Missing |
Minimum Focus Distance | 110 cm | Missing |
Type | Prime | Missing |
Image Stabilization | Missing | No |
Weather Seal | Missing | No |
Full Frame Coverage | Missing | No |