Sigma 105 mm f/1,4 DG HSM Art Sony vs Sony E 16mm F/2.8

Sigma 105 mm f/1,4 DG HSM Art Sony

Sigma 105 mm f/1,4 DG HSM Art Sony

Price Check ➔

Sony E 16mm F/2.8

Sony E 16mm F/2.8

Price Check ➔



Sigma 105 mm f/1,4 DG HSM Art Sony vs Sony E 16mm F/2.8

When comparing Sony E 16mm F/2.8 and Sigma 105 mm f/1,4 DG HSM Art Sony, which one is better?

1. Lens Weight Comparison

Regarding the weight of the lenses, Sony E 16mm F/2.8 is the winner with a weight of 67 g compared to the 1645 g that Sigma 105 mm f/1,4 DG HSM Art - Sony weighs.

Winner: Sony E 16mm F/2.8

Regarding weight: The weight of a lens is something you need to consider, since you have to carry it around on the camera as long as you're shooting. It adds to the total weight of your camera and it's important to keep the weight low if you get tired in your arms when taking photographs or filming.

2. Lens Mount Comparison

These two lenses use the same lens mount, the Sony E. This means that both lenses are compatible with cameras that use this mount.

Winner: Tied

Regarding lens mount: Popular lens mounts are Canon RF and EF, Micro Four Thirds and Nikon Z. Different lens mounts lets you connect different lenses to camera bodies, but some might not be compatible. This can be helped by using an adapter, like a Canon EF to RF adapter.

3. Largest Aperture Comparison

The Sigma 105 mm f/1,4 DG HSM Art - Sony has the largest aperture of the two lenses at 1.4 compared to the 2.8 aperture of Sony E 16mm F/2.8. This means that you get more light to your sensor using Sigma 105 mm f/1,4 DG HSM Art - Sony wide open, and therefore it might be a better lens in dark situations.

Winner: Sigma 105 mm f/1,4 DG HSM Art Sony

Regarding largest aperture: A lower aperture number means that the widest aperture on the lens is larger. This means that more light will hit the sensor and also that the depth of field will be shallower, better separating your subject from the background.

4. Anamorphic Comparison

Neither Sony E 16mm F/2.8 or Sigma 105 mm f/1,4 DG HSM Art - Sony are anamorphic lenses.

Winner: Tied — Neither have this feature

Regarding anamorphic: Anamorphic lenses are usually used on cinema cameras and squeezes the image when its recorded, which gives the final, stretched out, image oval bokeh and a different angle of view. The most common lenses, however, are not anamorphic but spherical, which gives a spherical bokeh and is a much cheaper lens design.

5. Focus Distance Comparison

Sony E 16mm F/2.8 features a minimum focus distance of 24 cm while Sigma 105 mm f/1,4 DG HSM Art - Sony has a minimum focus distance of 100 cm. Depending on your shooting style, the Sony E 16mm F/2.8 might be a better choice.

Winner: Sony E 16mm F/2.8

Regarding minimum focus distance: The minimum focus distance of a lens is the smallest distance from the lens to the subject you want to be in focus; subjects closer than the lens' minimum focus distance will not be in focus. Whether or not this is important to you is up for you to decide, but some want to take close photos and videos and in those cases it's important to have a lens with a low minimum focus distance.

6. Lens Type Comparison

Both lenses are Prime lenses, which means that you can choose both Sigma 105 mm f/1,4 DG HSM Art - Sony or Sony E 16mm F/2.8 if you're looking for that type of lens.

Winner: Tied

Regarding type: There are two types of lenses; zoom lenses and prime lenses. Prime lenses have a fixed focal length and cannot be zoomed, while zoom lenses have a focal length range and can be zoomed in to get closer to the subject. Prime lenses are usually lighter, cheaper and let in more light. Zoom lenses are more versatile but are more expensive since they require a more advanced lens design.

7. Stabilization Comparison

Neither Sigma 105 mm f/1,4 DG HSM Art - Sony or Sony E 16mm F/2.8 feature built-in image stabilization.

Winner: Tied — Neither have this feature

Regarding image stabilization: When a lens features built-in stabilization, it will actively help you hold the image steady by adjusting the optical elements inside the lens to compensate for movements. Do remember that lens stabilization is not required, but it may be suitable depending on your specific needs.

8. Autofocus Comparison

Both lenses have autofocus, which means that they're both great at focusing targets while taking photographs or filming video. Just remember, most cameras do not offer good autofocus while filming video.

Winner: Tied — both have this feature

Regarding autofocus: Lenses with autofocus help you focus when shooting pictures or video. If a lens only has manual focus it means that you have to focus manually by adjusting the focus wheel on the lens. Most cinema lenses do not use autofocus and are manual focus only.

9. Macro Comparison

Neither Sigma 105 mm f/1,4 DG HSM Art - Sony or Sony E 16mm F/2.8 are macro lenses.

Winner: Tied — Neither have this feature

Regarding macro: Macro lenses can focus much closer to your subjects and might be suitable when photographing flowers, insects, wildlife and nature.

10. Weather Seal Comparison

Sigma 105 mm f/1,4 DG HSM Art - Sony features a weather sealed design while Sony E 16mm F/2.8 does not. This means that Sigma 105 mm f/1,4 DG HSM Art - Sony is a much better choice if you know that you'll use the lens in harsh environments, where moist, rain or dust is present.

Winner: Sigma 105 mm f/1,4 DG HSM Art Sony

Regarding weather seal: A lens that is weather sealed will perform better over time if you're using the lens in harsh conditions where it's wet or dusty. It may not matter if you're merely using your lens in a studio or in your home.

11. Full Frame Comparison

Sigma 105 mm f/1,4 DG HSM Art - Sony covers a full frame sensor while Sony E 16mm F/2.8 does not. If you have a full frame camera then Sigma 105 mm f/1,4 DG HSM Art - Sony is the only choice for you in this comparison.

Winner: Sigma 105 mm f/1,4 DG HSM Art Sony

Regarding full frame coverage: All lenses do not cover full frame sensors, but not all cameras are full frame cameras either. If a lens covers a full frame sensor it can be used on all cameras with a matching lens mount, both full frame and crop sensors, except for medium format cameras.


Specifications

Full specifications table of Sigma 105 mm f/1,4 DG HSM Art Sony and Sony E 16mm F/2.8:

Sigma 105 mm f/1,4 DG HSM Art - Sony Sony E 16mm F/2.8
Sigma 105 mm f/1,4 DG HSM Art - SonySony E 16mm F/2.8

Price ➔

Price ➔

BrandSigmaSony
Weight1645 g67 g
Lens MountSony ESony E
Focal Length105 mm16 mm
Largest Aperture1.42.8
AnamorphicNoNo
Minimum Focus Distance100 cm24 cm
TypePrimePrime
Aperture RangeMissing2.8 - 22
Filter Thread DiameterMissing49
Aperture Blades9Missing
Lens Groups125
Lens Elements175
Image StabilizationNoNo
AutofocusEvetEvet
MacroNoNo
Weather SealYesNo
Full Frame CoverageYesNo
Lens Hood IncludedYesMissing


Camera Verdict

This comparison of Sigma 105 mm f/1,4 DG HSM Art - Sony and Sony E 16mm F/2.8 was last updated on December 19, 2024.