SLR Magic Cine 35mm f/1.2 FE (Sony E) vs Sony FE 70-200mm F4 G OSS
SLR Magic Cine 35mm f/1.2 FE (Sony E) vs Sony FE 70-200mm F4 G OSS
When comparing Sony FE 70-200mm F4 G OSS and SLR Magic Cine 35mm f/1.2 FE (Sony E), which one is better?
1. Lens Weight Comparison
Regarding the weight of the lenses, SLR Magic Cine 35mm f/1.2 FE (Sony E) is the winner with a weight of 535 g compared to the 840 g that Sony FE 70-200mm F4 G OSS weighs.
Winner: SLR Magic Cine 35mm f/1.2 FE (Sony E)
Regarding weight: The weight of a lens is something you need to consider, since you have to carry it around on the camera as long as you're shooting. It adds to the total weight of your camera and it's important to keep the weight low if you get tired in your arms when taking photographs or filming.
2. Lens Mount Comparison
These two lenses use the same lens mount, the Sony E. This means that both lenses are compatible with cameras that use this mount.
Winner: Tied
Regarding lens mount: Popular lens mounts are Canon RF and EF, Micro Four Thirds and Nikon Z. Different lens mounts lets you connect different lenses to camera bodies, but some might not be compatible. This can be helped by using an adapter, like a Canon EF to RF adapter.
3. Largest Aperture Comparison
The SLR Magic Cine 35mm f/1.2 FE (Sony E) has the largest aperture of the two lenses at 1.2 compared to the 4 aperture of Sony FE 70-200mm F4 G OSS. This means that you get more light to your sensor using SLR Magic Cine 35mm f/1.2 FE (Sony E) wide open, and therefore it might be a better lens in dark situations.
Winner: SLR Magic Cine 35mm f/1.2 FE (Sony E)
Regarding largest aperture: A lower aperture number means that the widest aperture on the lens is larger. This means that more light will hit the sensor and also that the depth of field will be shallower, better separating your subject from the background.
4. Anamorphic Comparison
Neither Sony FE 70-200mm F4 G OSS or SLR Magic Cine 35mm f/1.2 FE (Sony E) are anamorphic lenses.
Winner: Tied — Neither have this feature
Regarding anamorphic: Anamorphic lenses are usually used on cinema cameras and squeezes the image when its recorded, which gives the final, stretched out, image oval bokeh and a different angle of view. The most common lenses, however, are not anamorphic but spherical, which gives a spherical bokeh and is a much cheaper lens design.
5. Lens Type Comparison
The SLR Magic Cine 35mm f/1.2 FE (Sony E) is a Prime lens while the Sony FE 70-200mm F4 G OSS is a Zoom lens. Whether or not a zoom lens or a prime lens is what you need, is up to you to decide; they both have their respective strengths and weaknesses.
Winner: Tied — It depends on your gear
Regarding type: There are two types of lenses; zoom lenses and prime lenses. Prime lenses have a fixed focal length and cannot be zoomed, while zoom lenses have a focal length range and can be zoomed in to get closer to the subject. Prime lenses are usually lighter, cheaper and let in more light. Zoom lenses are more versatile but are more expensive since they require a more advanced lens design.
6. Stabilization Comparison
Sony FE 70-200mm F4 G OSS features built-in image stabilization and SLR Magic Cine 35mm f/1.2 FE (Sony E) does not. Depending on your shooting style, this may be a heavy factor to choose Sony FE 70-200mm F4 G OSS instead of SLR Magic Cine 35mm f/1.2 FE (Sony E).
Winner: Sony FE 70-200mm F4 G OSS
Regarding image stabilization: When a lens features built-in stabilization, it will actively help you hold the image steady by adjusting the optical elements inside the lens to compensate for movements. Do remember that lens stabilization is not required, but it may be suitable depending on your specific needs.
7. Parfocal Comparison
SLR Magic Cine 35mm f/1.2 FE (Sony E) is parfocal, which might be important to you if you. Sony FE 70-200mm F4 G OSS is not parfocal.
Winner: SLR Magic Cine 35mm f/1.2 FE (Sony E)
Regarding parfocal: The term "parfocal" means that the lens will keep the focus point in focus while you zoom the lens. This feature is more common in cinema lenses and more expensive photography lenses, and is not featured in all zoom lenses. It is, however, not required if you're not shooting video and zooming while filming. If you are zooming and require the focus to be kept regardless, then a parfocal lens might be worth it for you.
8. Autofocus Comparison
In regards to autofocus, the winner is Sony FE 70-200mm F4 G OSS since the other lens in this comparison, the SLR Magic Cine 35mm f/1.2 FE (Sony E) does not have autofocus at all — it is a manual focus lens.
Winner: Sony FE 70-200mm F4 G OSS
Regarding autofocus: Lenses with autofocus help you focus when shooting pictures or video. If a lens only has manual focus it means that you have to focus manually by adjusting the focus wheel on the lens. Most cinema lenses do not use autofocus and are manual focus only.
Specifications
Full specifications table of SLR Magic Cine 35mm f/1.2 FE (Sony E) and Sony FE 70-200mm F4 G OSS:
| SLR Magic Cine 35mm f/1.2 FE (Sony E) | Sony FE 70-200mm F4 G OSS | |
 |  | |
| Brand | SLR Magic | Sony |
| Weight | 535 g | 840 g |
| Lens Mount | Sony E | Sony E |
| Focal Length | 35 mm | 70 - 200 mm |
| Largest Aperture | 1.2 | 4 |
| Anamorphic | No | No |
| Type | Prime | Zoom |
| Lens Groups | 8 | Missing |
| Lens Elements | 9 | Missing |
| Image Stabilization | No | Yes |
| Parfocal | Yes | No |
| Autofocus | Hayır | Evet |
| Macro | Missing | No |
| Weather Seal | Missing | Yes |
| Full Frame Coverage | Missing | Yes |
| Lens Hood Included | Missing | Yes |
| Stabilization Type | Missing | Sony Optical SteadyShot (OSS) |