SLR Magic Anamorphot-CINE 50mm T2.8 2x
Sony FE 50mm F1.8
When comparing Sony FE 50mm F1.8 and SLR Magic Anamorphot-CINE 50mm T2.8 2x, which one is better?
The lenses each feature different lens mounts — the SLR Magic Anamorphot-CINE 50mm T2.8 2x features a Micro Four Thirds while the Sony FE 50mm F1.8 features a Sony E — and because of this the preference varies. If you have a compatible camera, then of course that lens will be a better choice for you.
Winner: Tied — It depends on your gear
Regarding lens mount: Popular lens mounts are Canon RF and EF, Micro Four Thirds and Nikon Z. Different lens mounts lets you connect different lenses to camera bodies, but some might not be compatible. This can be helped by using an adapter, like a Canon EF to RF adapter.
The Sony FE 50mm F1.8 has the largest aperture of the two lenses at 1.8 compared to the 2.8 aperture of SLR Magic Anamorphot-CINE 50mm T2.8 2x. This means that you get more light to your sensor using Sony FE 50mm F1.8 wide open, and therefore it might be a better lens in dark situations.
Winner: Sony FE 50mm F1.8
Regarding largest aperture: A lower aperture number means that the widest aperture on the lens is larger. This means that more light will hit the sensor and also that the depth of field will be shallower, better separating your subject from the background.
Full specifications table of SLR Magic Anamorphot-CINE 50mm T2.8 2x and Sony FE 50mm F1.8:
SLR Magic Anamorphot-CINE 50mm T2.8 2x | Sony FE 50mm F1.8 | |
Brand | SLR Magic | Sony |
Weight | 1360 g | Missing |
Lens Mount | Micro Four Thirds | Sony E |
Focal Length | 50 mm | 50 mm |
Largest Aperture | 2.8 | 1.8 |
Anamorphic | Yes | Missing |
Minimum Focus Distance | 110 cm | Missing |
Type | Prime | Missing |
Filter Thread Diameter | Missing | |
Image Stabilization | No | Missing |
Autofocus | Hayır | Missing |