SLR Magic Anamorphot-CINE 50mm T2.8 2x vs Sigma 24-70/2.8 DG DN Art (Sony E)
SLR Magic Anamorphot-CINE 50mm T2.8 2x vs Sigma 24-70/2.8 DG DN Art (Sony E)
When comparing Sigma 24-70/2.8 DG DN Art (Sony E) and SLR Magic Anamorphot-CINE 50mm T2.8 2x, which one is better?
1. Lens Weight Comparison
Regarding the weight of the lenses, Sigma 24-70/2.8 DG DN Art (Sony E) is the winner with a weight of 830 g compared to the 1360 g that SLR Magic Anamorphot-CINE 50mm T2.8 2x weighs.
Winner: Sigma 24-70/2.8 DG DN Art (Sony E)
Regarding weight: The weight of a lens is something you need to consider, since you have to carry it around on the camera as long as you're shooting. It adds to the total weight of your camera and it's important to keep the weight low if you get tired in your arms when taking photographs or filming.
2. Lens Mount Comparison
The lenses each feature different lens mounts — the SLR Magic Anamorphot-CINE 50mm T2.8 2x features a Micro Four Thirds while the Sigma 24-70/2.8 DG DN Art (Sony E) features a Sony E — and because of this the preference varies. If you have a compatible camera, then of course that lens will be a better choice for you.
Winner: Tied — It depends on your gear
Regarding lens mount: Popular lens mounts are Canon RF and EF, Micro Four Thirds and Nikon Z. Different lens mounts lets you connect different lenses to camera bodies, but some might not be compatible. This can be helped by using an adapter, like a Canon EF to RF adapter.
3. Largest Aperture Comparison
Both lenses share the same aperture of 2.8 — this means that you may buy both SLR Magic Anamorphot-CINE 50mm T2.8 2x and Sigma 24-70/2.8 DG DN Art (Sony E) in this regard; they''re the same.
Winner: Tied
Regarding largest aperture: A lower aperture number means that the widest aperture on the lens is larger. This means that more light will hit the sensor and also that the depth of field will be shallower, better separating your subject from the background.
4. Anamorphic Comparison
Winner: SLR Magic Anamorphot-CINE 50mm T2.8 2x
Regarding anamorphic: Anamorphic lenses are usually used on cinema cameras and squeezes the image when its recorded, which gives the final, stretched out, image oval bokeh and a different angle of view. The most common lenses, however, are not anamorphic but spherical, which gives a spherical bokeh and is a much cheaper lens design.
5. Focus Distance Comparison
Sigma 24-70/2.8 DG DN Art (Sony E) features a minimum focus distance of 18 cm while SLR Magic Anamorphot-CINE 50mm T2.8 2x has a minimum focus distance of 110 cm. Depending on your shooting style, the Sigma 24-70/2.8 DG DN Art (Sony E) might be a better choice.
Winner: Sigma 24-70/2.8 DG DN Art (Sony E)
Regarding minimum focus distance: The minimum focus distance of a lens is the smallest distance from the lens to the subject you want to be in focus; subjects closer than the lens' minimum focus distance will not be in focus. Whether or not this is important to you is up for you to decide, but some want to take close photos and videos and in those cases it's important to have a lens with a low minimum focus distance.
6. Lens Type Comparison
The SLR Magic Anamorphot-CINE 50mm T2.8 2x is a Prime lens while the Sigma 24-70/2.8 DG DN Art (Sony E) is a Zoom lens. Whether or not a zoom lens or a prime lens is what you need, is up to you to decide; they both have their respective strengths and weaknesses.
Winner: Tied — It depends on your gear
Regarding type: There are two types of lenses; zoom lenses and prime lenses. Prime lenses have a fixed focal length and cannot be zoomed, while zoom lenses have a focal length range and can be zoomed in to get closer to the subject. Prime lenses are usually lighter, cheaper and let in more light. Zoom lenses are more versatile but are more expensive since they require a more advanced lens design.
7. Stabilization Comparison
Neither SLR Magic Anamorphot-CINE 50mm T2.8 2x or Sigma 24-70/2.8 DG DN Art (Sony E) feature built-in image stabilization.
Winner: Tied — Neither have this feature
Regarding image stabilization: When a lens features built-in stabilization, it will actively help you hold the image steady by adjusting the optical elements inside the lens to compensate for movements. Do remember that lens stabilization is not required, but it may be suitable depending on your specific needs.
8. Autofocus Comparison
In regards to autofocus, the winner is Sigma 24-70/2.8 DG DN Art (Sony E) since the other lens in this comparison, the SLR Magic Anamorphot-CINE 50mm T2.8 2x does not have autofocus at all — it is a manual focus lens.
Winner: Sigma 24-70/2.8 DG DN Art (Sony E)
Regarding autofocus: Lenses with autofocus help you focus when shooting pictures or video. If a lens only has manual focus it means that you have to focus manually by adjusting the focus wheel on the lens. Most cinema lenses do not use autofocus and are manual focus only.
Specifications
Full specifications table of SLR Magic Anamorphot-CINE 50mm T2.8 2x and Sigma 24-70/2.8 DG DN Art (Sony E):
| SLR Magic Anamorphot-CINE 50mm T2.8 2x | Sigma 24-70/2.8 DG DN Art (Sony E) | |
 |  | |
| Brand | SLR Magic | Sigma |
| Weight | 1360 g | 830 g |
| Lens Mount | Micro Four Thirds | Sony E |
| Focal Length | 50 mm | 24 - 70 mm |
| Largest Aperture | 2.8 | 2.8 |
| Anamorphic | Yes | No |
| Minimum Focus Distance | 110 cm | 18 cm |
| Type | Prime | Zoom |
| Filter Thread Diameter | 82 | |
| Aperture Blades | Missing | 11 |
| Lens Groups | Missing | 15 |
| Lens Elements | Missing | 19 |
| Image Stabilization | No | No |
| Parfocal | Missing | Yes |
| Autofocus | Hayır | Evet |
| Macro | Missing | No |