SLR Magic Anamorphot-CINE 50mm T2.8 2x
Sigma EX 105/2.8 DG OS HSM Macro (Sony)
When comparing Sigma EX 105/2.8 DG OS HSM Macro (Sony) and SLR Magic Anamorphot-CINE 50mm T2.8 2x, which one is better?
The lenses each feature different lens mounts — the SLR Magic Anamorphot-CINE 50mm T2.8 2x features a Micro Four Thirds while the Sigma EX 105/2.8 DG OS HSM Macro - (Sony) features a Sony E — and because of this the preference varies. If you have a compatible camera, then of course that lens will be a better choice for you.
Winner: Tied — It depends on your gear
Regarding lens mount: Popular lens mounts are Canon RF and EF, Micro Four Thirds and Nikon Z. Different lens mounts lets you connect different lenses to camera bodies, but some might not be compatible. This can be helped by using an adapter, like a Canon EF to RF adapter.
Both lenses share the same aperture of 2.8 — this means that you may buy both SLR Magic Anamorphot-CINE 50mm T2.8 2x and Sigma EX 105/2.8 DG OS HSM Macro - (Sony) in this regard; they''re the same.
Winner: Tied
Regarding largest aperture: A lower aperture number means that the widest aperture on the lens is larger. This means that more light will hit the sensor and also that the depth of field will be shallower, better separating your subject from the background.
Full specifications table of SLR Magic Anamorphot-CINE 50mm T2.8 2x and Sigma EX 105/2.8 DG OS HSM Macro (Sony):
SLR Magic Anamorphot-CINE 50mm T2.8 2x | Sigma EX 105/2.8 DG OS HSM Macro - (Sony) | |
Brand | SLR Magic | Sigma |
Weight | 1360 g | Missing |
Lens Mount | Micro Four Thirds | Sony E |
Focal Length | 50 mm | 105 mm |
Largest Aperture | 2.8 | 2.8 |
Anamorphic | Yes | Missing |
Minimum Focus Distance | 110 cm | Missing |
Type | Prime | Missing |
Filter Thread Diameter | Missing | |
Image Stabilization | No | Missing |
Autofocus | Hayır | Missing |