Tamron AF 35-150mm f/2-2.8 Di III VXD Sony E vs Sigma 90mm f/2.8 DG DN Contemporary (Sony E)

Tamron AF 35-150mm f/2-2.8 Di III VXD Sony E

Tamron AF 35-150mm f/2-2.8 Di III VXD Sony E

Price Check ➔

Sigma 90mm f/2.8 DG DN Contemporary (Sony E)

Sigma 90mm f/2.8 DG DN Contemporary (Sony E)

Price Check ➔



Tamron AF 35-150mm f/2-2.8 Di III VXD Sony E vs Sigma 90mm f/2.8 DG DN Contemporary (Sony E)

When comparing Sigma 90mm f/2.8 DG DN Contemporary (Sony E) and Tamron AF 35-150mm f/2-2.8 Di III VXD Sony E, which one is better?

1. Lens Weight Comparison

Regarding the weight of the lenses, Sigma 90mm f/2.8 DG DN Contemporary - (Sony E) is the winner with a weight of 295 g compared to the 1165 g that Tamron AF 35-150mm f/2-2.8 Di III VXD - Sony E weighs.

Winner: Sigma 90mm f/2.8 DG DN Contemporary (Sony E)

Regarding weight: The weight of a lens is something you need to consider, since you have to carry it around on the camera as long as you're shooting. It adds to the total weight of your camera and it's important to keep the weight low if you get tired in your arms when taking photographs or filming.

2. Lens Mount Comparison

These two lenses use the same lens mount, the Sony E. This means that both lenses are compatible with cameras that use this mount.

Winner: Tied

Regarding lens mount: Popular lens mounts are Canon RF and EF, Micro Four Thirds and Nikon Z. Different lens mounts lets you connect different lenses to camera bodies, but some might not be compatible. This can be helped by using an adapter, like a Canon EF to RF adapter.

3. Largest Aperture Comparison

The Tamron AF 35-150mm f/2-2.8 Di III VXD - Sony E has the largest aperture of the two lenses at 2 - 2.8 compared to the 2.8 aperture of Sigma 90mm f/2.8 DG DN Contemporary - (Sony E). This means that you get more light to your sensor using Tamron AF 35-150mm f/2-2.8 Di III VXD - Sony E wide open, and therefore it might be a better lens in dark situations.

Winner: Tamron AF 35-150mm f/2-2.8 Di III VXD Sony E

Regarding largest aperture: A lower aperture number means that the widest aperture on the lens is larger. This means that more light will hit the sensor and also that the depth of field will be shallower, better separating your subject from the background.

4. Anamorphic Comparison

Neither Sigma 90mm f/2.8 DG DN Contemporary - (Sony E) or Tamron AF 35-150mm f/2-2.8 Di III VXD - Sony E are anamorphic lenses.

Winner: Tied — Neither have this feature

Regarding anamorphic: Anamorphic lenses are usually used on cinema cameras and squeezes the image when its recorded, which gives the final, stretched out, image oval bokeh and a different angle of view. The most common lenses, however, are not anamorphic but spherical, which gives a spherical bokeh and is a much cheaper lens design.

5. Lens Type Comparison

The Tamron AF 35-150mm f/2-2.8 Di III VXD - Sony E is a Zoom lens while the Sigma 90mm f/2.8 DG DN Contemporary - (Sony E) is a Prime lens. Whether or not a zoom lens or a prime lens is what you need, is up to you to decide; they both have their respective strengths and weaknesses.

Winner: Tied — It depends on your gear

Regarding type: There are two types of lenses; zoom lenses and prime lenses. Prime lenses have a fixed focal length and cannot be zoomed, while zoom lenses have a focal length range and can be zoomed in to get closer to the subject. Prime lenses are usually lighter, cheaper and let in more light. Zoom lenses are more versatile but are more expensive since they require a more advanced lens design.

6. Stabilization Comparison

Neither Tamron AF 35-150mm f/2-2.8 Di III VXD - Sony E or Sigma 90mm f/2.8 DG DN Contemporary - (Sony E) feature built-in image stabilization.

Winner: Tied — Neither have this feature

Regarding image stabilization: When a lens features built-in stabilization, it will actively help you hold the image steady by adjusting the optical elements inside the lens to compensate for movements. Do remember that lens stabilization is not required, but it may be suitable depending on your specific needs.

7. Autofocus Comparison

Both lenses have autofocus, which means that they're both great at focusing targets while taking photographs or filming video. Just remember, most cameras do not offer good autofocus while filming video.

Winner: Tied — both have this feature

Regarding autofocus: Lenses with autofocus help you focus when shooting pictures or video. If a lens only has manual focus it means that you have to focus manually by adjusting the focus wheel on the lens. Most cinema lenses do not use autofocus and are manual focus only.

8. Macro Comparison

Neither Tamron AF 35-150mm f/2-2.8 Di III VXD - Sony E or Sigma 90mm f/2.8 DG DN Contemporary - (Sony E) are macro lenses.

Winner: Tied — Neither have this feature

Regarding macro: Macro lenses can focus much closer to your subjects and might be suitable when photographing flowers, insects, wildlife and nature.


Specifications

Full specifications table of Tamron AF 35-150mm f/2-2.8 Di III VXD Sony E and Sigma 90mm f/2.8 DG DN Contemporary (Sony E):

Tamron AF 35-150mm f/2-2.8 Di III VXD - Sony E Sigma 90mm f/2.8 DG DN Contemporary - (Sony E)
Tamron AF 35-150mm f/2-2.8 Di III VXD - Sony ESigma 90mm f/2.8 DG DN Contemporary - (Sony E)

Price ➔

Price ➔

BrandTamronSigma
Weight1165 g295 g
Lens MountSony ESony E
Focal Length35 - 150 mm90 mm
Largest Aperture2 - 2.82.8
AnamorphicNoNo
Minimum Focus DistanceMissing50 cm
TypeZoomPrime
Aperture Range2 - 222.8 - 22
Filter Thread DiameterMissing55
Aperture Blades9Missing
Lens Groups1510
Lens Elements2111
Image StabilizationNoNo
ParfocalYesMissing
AutofocusEvetEvet
MacroNoNo
Weather SealYesMissing
Full Frame CoverageMissingYes
Lens Hood IncludedMissingYes


Camera Verdict

This comparison of Tamron AF 35-150mm f/2-2.8 Di III VXD - Sony E and Sigma 90mm f/2.8 DG DN Contemporary - (Sony E) was last updated on December 19, 2024.