Tamron 28-75mm f/2,8 DI III VXD G2 Sony E Mount (Sony E Mount) vs Sigma 40mm f/1.4 DG HSM Art (Sony E Mount)

Tamron 28-75mm f/2,8 DI III VXD G2 Sony E Mount (Sony E Mount)

Tamron 28-75mm f/2,8 DI III VXD G2 Sony E Mount (Sony E Mount)

Price Check ➔

Sigma 40mm f/1.4 DG HSM Art (Sony E Mount)

Sigma 40mm f/1.4 DG HSM Art (Sony E Mount)

Price Check ➔



Tamron 28-75mm f/2,8 DI III VXD G2 Sony E Mount (Sony E Mount) vs Sigma 40mm f/1.4 DG HSM Art (Sony E Mount)

When comparing Sigma 40mm f/1.4 DG HSM Art (Sony E Mount) and Tamron 28-75mm f/2,8 DI III VXD G2 Sony E Mount (Sony E Mount), which one is better?

1. Lens Mount Comparison

These two lenses use the same lens mount, the Sony E. This means that both lenses are compatible with cameras that use this mount.

Winner: Tied

Regarding lens mount: Popular lens mounts are Canon RF and EF, Micro Four Thirds and Nikon Z. Different lens mounts lets you connect different lenses to camera bodies, but some might not be compatible. This can be helped by using an adapter, like a Canon EF to RF adapter.

2. Largest Aperture Comparison

The Sigma 40mm f/1.4 DG HSM Art - (Sony E Mount) has the largest aperture of the two lenses at 1.4 compared to the 2.8 aperture of Tamron 28-75mm f/2,8 DI III VXD G2 - (Sony E Mount). This means that you get more light to your sensor using Sigma 40mm f/1.4 DG HSM Art - (Sony E Mount) wide open, and therefore it might be a better lens in dark situations.

Winner: Sigma 40mm f/1.4 DG HSM Art (Sony E Mount)

Regarding largest aperture: A lower aperture number means that the widest aperture on the lens is larger. This means that more light will hit the sensor and also that the depth of field will be shallower, better separating your subject from the background.

3. Anamorphic Comparison

Neither Sigma 40mm f/1.4 DG HSM Art - (Sony E Mount) or Tamron 28-75mm f/2,8 DI III VXD G2 - (Sony E Mount) are anamorphic lenses.

Winner: Tied — Neither have this feature

Regarding anamorphic: Anamorphic lenses are usually used on cinema cameras and squeezes the image when its recorded, which gives the final, stretched out, image oval bokeh and a different angle of view. The most common lenses, however, are not anamorphic but spherical, which gives a spherical bokeh and is a much cheaper lens design.

4. Lens Type Comparison

The Tamron 28-75mm f/2,8 DI III VXD G2 - (Sony E Mount) is a Zoom lens while the Sigma 40mm f/1.4 DG HSM Art - (Sony E Mount) is a Prime lens. Whether or not a zoom lens or a prime lens is what you need, is up to you to decide; they both have their respective strengths and weaknesses.

Winner: Tied — It depends on your gear

Regarding type: There are two types of lenses; zoom lenses and prime lenses. Prime lenses have a fixed focal length and cannot be zoomed, while zoom lenses have a focal length range and can be zoomed in to get closer to the subject. Prime lenses are usually lighter, cheaper and let in more light. Zoom lenses are more versatile but are more expensive since they require a more advanced lens design.


Specifications

Full specifications table of Tamron 28-75mm f/2,8 DI III VXD G2 Sony E Mount (Sony E Mount) and Sigma 40mm f/1.4 DG HSM Art (Sony E Mount):

Tamron 28-75mm f/2,8 DI III VXD G2 - (Sony E Mount) Sigma 40mm f/1.4 DG HSM Art - (Sony E Mount)
Tamron 28-75mm f/2,8 DI III VXD G2 - (Sony E Mount)Sigma 40mm f/1.4 DG HSM Art - (Sony E Mount)

Price ➔

Price ➔

BrandTamronSigma
WeightMissing1200 g
Lens MountSony ESony E
Focal Length28 - 75 mm40 mm
Largest Aperture2.81.4
AnamorphicNoNo
Minimum Focus DistanceMissing40 cm
TypeZoomPrime
Aperture RangeMissing1.4 - 16
Filter Thread DiameterMissing82
Aperture BladesMissing9
Lens GroupsMissing12
Lens ElementsMissing16
Image StabilizationMissingNo
AutofocusMissingEvet
MacroMissingNo
Weather SealMissingYes
Full Frame CoverageMissingYes
Lens Hood IncludedMissingYes


Camera Verdict

This comparison of Tamron 28-75mm f/2,8 DI III VXD G2 - (Sony E Mount) and Sigma 40mm f/1.4 DG HSM Art - (Sony E Mount) was last updated on December 19, 2024.