Sigma 35/1,4 DG HSM Art (Canon EF) vs Sigma 100-400/5-6,3 DG DN OS Sony E

Sigma 35/1,4 DG HSM Art (Canon EF)

Sigma 35/1,4 DG HSM Art (Canon EF)

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Sigma 100-400/5-6,3 DG DN OS Sony E

Sigma 100-400/5-6,3 DG DN OS Sony E

Price Check ➔



Sigma 35/1,4 DG HSM Art (Canon EF) vs Sigma 100-400/5-6,3 DG DN OS Sony E

When comparing Sigma 100-400/5-6,3 DG DN OS Sony E and Sigma 35/1,4 DG HSM Art (Canon EF), which one is better?

1. Lens Weight Comparison

Regarding the weight of the lenses, Sigma 35mm f/1.4 DG HSM Art - (Canon EF) is the winner with a weight of 665 g compared to the 1160 g that Sigma 100-400/5-6,3 DG DN OS Contemporary - Sony E weighs.

Winner: Sigma 35/1,4 DG HSM Art (Canon EF)

Regarding weight: The weight of a lens is something you need to consider, since you have to carry it around on the camera as long as you're shooting. It adds to the total weight of your camera and it's important to keep the weight low if you get tired in your arms when taking photographs or filming.

2. Lens Mount Comparison

The lenses each feature different lens mounts — the Sigma 35mm f/1.4 DG HSM Art - (Canon EF) features a Canon EF while the Sigma 100-400/5-6,3 DG DN OS Contemporary - Sony E features a Sony E — and because of this the preference varies. If you have a compatible camera, then of course that lens will be a better choice for you.

Winner: Tied — It depends on your gear

Regarding lens mount: Popular lens mounts are Canon RF and EF, Micro Four Thirds and Nikon Z. Different lens mounts lets you connect different lenses to camera bodies, but some might not be compatible. This can be helped by using an adapter, like a Canon EF to RF adapter.

3. Largest Aperture Comparison

The Sigma 35mm f/1.4 DG HSM Art - (Canon EF) has the largest aperture of the two lenses at 1.4 compared to the 5 - 6.3 aperture of Sigma 100-400/5-6,3 DG DN OS Contemporary - Sony E. This means that you get more light to your sensor using Sigma 35mm f/1.4 DG HSM Art - (Canon EF) wide open, and therefore it might be a better lens in dark situations.

Winner: Sigma 35/1,4 DG HSM Art (Canon EF)

Regarding largest aperture: A lower aperture number means that the widest aperture on the lens is larger. This means that more light will hit the sensor and also that the depth of field will be shallower, better separating your subject from the background.

4. Anamorphic Comparison

Neither Sigma 100-400/5-6,3 DG DN OS Contemporary - Sony E or Sigma 35mm f/1.4 DG HSM Art - (Canon EF) are anamorphic lenses.

Winner: Tied — Neither have this feature

Regarding anamorphic: Anamorphic lenses are usually used on cinema cameras and squeezes the image when its recorded, which gives the final, stretched out, image oval bokeh and a different angle of view. The most common lenses, however, are not anamorphic but spherical, which gives a spherical bokeh and is a much cheaper lens design.

5. Lens Type Comparison

The Sigma 35mm f/1.4 DG HSM Art - (Canon EF) is a Prime lens while the Sigma 100-400/5-6,3 DG DN OS Contemporary - Sony E is a Zoom lens. Whether or not a zoom lens or a prime lens is what you need, is up to you to decide; they both have their respective strengths and weaknesses.

Winner: Tied — It depends on your gear

Regarding type: There are two types of lenses; zoom lenses and prime lenses. Prime lenses have a fixed focal length and cannot be zoomed, while zoom lenses have a focal length range and can be zoomed in to get closer to the subject. Prime lenses are usually lighter, cheaper and let in more light. Zoom lenses are more versatile but are more expensive since they require a more advanced lens design.

6. Stabilization Comparison

Sigma 100-400/5-6,3 DG DN OS Contemporary - Sony E features built-in image stabilization and Sigma 35mm f/1.4 DG HSM Art - (Canon EF) does not. Depending on your shooting style, this may be a heavy factor to choose Sigma 100-400/5-6,3 DG DN OS Contemporary - Sony E instead of Sigma 35mm f/1.4 DG HSM Art - (Canon EF).

Winner: Sigma 100-400/5-6,3 DG DN OS Sony E

Regarding image stabilization: When a lens features built-in stabilization, it will actively help you hold the image steady by adjusting the optical elements inside the lens to compensate for movements. Do remember that lens stabilization is not required, but it may be suitable depending on your specific needs.


Specifications

Full specifications table of Sigma 35/1,4 DG HSM Art (Canon EF) and Sigma 100-400/5-6,3 DG DN OS Sony E:

Sigma 35mm f/1.4 DG HSM Art - (Canon EF) Sigma 100-400/5-6,3 DG DN OS Contemporary - Sony E
Sigma 35mm f/1.4 DG HSM Art - (Canon EF)Sigma 100-400/5-6,3 DG DN OS Contemporary - Sony E

Price ➔

Price ➔

BrandSigmaSigma
Weight665 g1160 g
Lens MountCanon EFSony E
Focal Length35 mm100 - 400 mm
Largest Aperture1.45 - 6.3
AnamorphicNoNo
Minimum Focus DistanceMissing112 cm
TypePrimeZoom
Filter Thread DiameterMissing67
Aperture BladesMissing9
Lens GroupsMissing16
Lens ElementsMissing22
Image StabilizationNoYes
AutofocusMissingEvet
MacroMissingNo
Weather SealMissingNo
Full Frame CoverageMissingYes
Lens Hood IncludedMissingYes
Stabilization TypeMissingSigma Optical Stabilizer (OS)


Camera Verdict

This comparison of Sigma 35mm f/1.4 DG HSM Art - (Canon EF) and Sigma 100-400/5-6,3 DG DN OS Contemporary - Sony E was last updated on December 19, 2024.