Samyang Xeen Cine 35mm T1.5
Sigma 35/1,4 DG HSM Art (Canon EF)
When comparing Sigma 35/1,4 DG HSM Art (Canon EF) and Samyang Xeen Cine 35mm T1.5, which one is better?
The Sigma 35mm f/1.4 DG HSM Art - (Canon EF) has the largest aperture of the two lenses at 1.4 compared to the 1.5 aperture of Samyang Xeen Cine 35mm T1.5. This means that you get more light to your sensor using Sigma 35mm f/1.4 DG HSM Art - (Canon EF) wide open, and therefore it might be a better lens in dark situations.
Winner: Sigma 35/1,4 DG HSM Art (Canon EF)
Regarding largest aperture: A lower aperture number means that the widest aperture on the lens is larger. This means that more light will hit the sensor and also that the depth of field will be shallower, better separating your subject from the background.
Both lenses are Prime lenses, which means that you can choose both Samyang Xeen Cine 35mm T1.5 or Sigma 35mm f/1.4 DG HSM Art - (Canon EF) if you're looking for that type of lens.
Winner: Tied
Regarding type: There are two types of lenses; zoom lenses and prime lenses. Prime lenses have a fixed focal length and cannot be zoomed, while zoom lenses have a focal length range and can be zoomed in to get closer to the subject. Prime lenses are usually lighter, cheaper and let in more light. Zoom lenses are more versatile but are more expensive since they require a more advanced lens design.
Full specifications table of Samyang Xeen Cine 35mm T1.5 and Sigma 35/1,4 DG HSM Art (Canon EF):
Samyang Xeen Cine 35mm T1.5 | Sigma 35mm f/1.4 DG HSM Art - (Canon EF) | |
Brand | Samyang | Sigma |
Weight | Missing | 665 g |
Lens Mount | Missing | Canon EF |
Focal Length | 35 mm | 35 mm |
Largest Aperture | 1.5 | 1.4 |
Anamorphic | Missing | No |
Type | Prime | Prime |
Image Stabilization | Missing | No |