Sigma 24-70mm F2.8 DG OS HSM Art Canon EF vs Zeiss Batis 2.8/18

Sigma 24-70mm F2.8 DG OS HSM Art Canon EF

Sigma 24-70mm F2.8 DG OS HSM Art Canon EF

Price Check ➔

Zeiss Batis 2.8/18

Zeiss Batis 2.8/18

Price Check ➔



Sigma 24-70mm F2.8 DG OS HSM Art Canon EF vs Zeiss Batis 2.8/18

When comparing Zeiss Batis 2.8/18 and Sigma 24-70mm F2.8 DG OS HSM Art Canon EF, which one is better?

1. Lens Weight Comparison

Regarding the weight of the lenses, Zeiss Batis 2.8/18 is the winner with a weight of 330 g compared to the 1020 g that Sigma 24-70mm F2.8 DG OS HSM Art - Canon EF weighs.

Winner: Zeiss Batis 2.8/18

Regarding weight: The weight of a lens is something you need to consider, since you have to carry it around on the camera as long as you're shooting. It adds to the total weight of your camera and it's important to keep the weight low if you get tired in your arms when taking photographs or filming.

2. Lens Mount Comparison

The lenses each feature different lens mounts — the Sigma 24-70mm F2.8 DG OS HSM Art - Canon EF features a Canon EF while the Zeiss Batis 2.8/18 features a Sony E — and because of this the preference varies. If you have a compatible camera, then of course that lens will be a better choice for you.

Winner: Tied — It depends on your gear

Regarding lens mount: Popular lens mounts are Canon RF and EF, Micro Four Thirds and Nikon Z. Different lens mounts lets you connect different lenses to camera bodies, but some might not be compatible. This can be helped by using an adapter, like a Canon EF to RF adapter.

3. Largest Aperture Comparison

Both lenses share the same aperture of 2.8 — this means that you may buy both Sigma 24-70mm F2.8 DG OS HSM Art - Canon EF and Zeiss Batis 2.8/18 in this regard; they''re the same.

Winner: Tied

Regarding largest aperture: A lower aperture number means that the widest aperture on the lens is larger. This means that more light will hit the sensor and also that the depth of field will be shallower, better separating your subject from the background.

4. Anamorphic Comparison

Neither Zeiss Batis 2.8/18 or Sigma 24-70mm F2.8 DG OS HSM Art - Canon EF are anamorphic lenses.

Winner: Tied — Neither have this feature

Regarding anamorphic: Anamorphic lenses are usually used on cinema cameras and squeezes the image when its recorded, which gives the final, stretched out, image oval bokeh and a different angle of view. The most common lenses, however, are not anamorphic but spherical, which gives a spherical bokeh and is a much cheaper lens design.

5. Lens Type Comparison

The Sigma 24-70mm F2.8 DG OS HSM Art - Canon EF is a Zoom lens while the Zeiss Batis 2.8/18 is a Prime lens. Whether or not a zoom lens or a prime lens is what you need, is up to you to decide; they both have their respective strengths and weaknesses.

Winner: Tied — It depends on your gear

Regarding type: There are two types of lenses; zoom lenses and prime lenses. Prime lenses have a fixed focal length and cannot be zoomed, while zoom lenses have a focal length range and can be zoomed in to get closer to the subject. Prime lenses are usually lighter, cheaper and let in more light. Zoom lenses are more versatile but are more expensive since they require a more advanced lens design.

6. Stabilization Comparison

Neither Sigma 24-70mm F2.8 DG OS HSM Art - Canon EF or Zeiss Batis 2.8/18 feature built-in image stabilization.

Winner: Tied — Neither have this feature

Regarding image stabilization: When a lens features built-in stabilization, it will actively help you hold the image steady by adjusting the optical elements inside the lens to compensate for movements. Do remember that lens stabilization is not required, but it may be suitable depending on your specific needs.

7. Autofocus Comparison

Both lenses have autofocus, which means that they're both great at focusing targets while taking photographs or filming video. Just remember, most cameras do not offer good autofocus while filming video.

Winner: Tied — both have this feature

Regarding autofocus: Lenses with autofocus help you focus when shooting pictures or video. If a lens only has manual focus it means that you have to focus manually by adjusting the focus wheel on the lens. Most cinema lenses do not use autofocus and are manual focus only.


Specifications

Full specifications table of Sigma 24-70mm F2.8 DG OS HSM Art Canon EF and Zeiss Batis 2.8/18:

Sigma 24-70mm F2.8 DG OS HSM Art - Canon EF Zeiss Batis 2.8/18
Sigma 24-70mm F2.8 DG OS HSM Art - Canon EFZeiss Batis 2.8/18

Price ➔

Price ➔

BrandSigmaZeiss
Weight1020 g330 g
Lens MountCanon EFSony E
Focal Length24 - 70 mm18 mm
Largest Aperture2.82.8
AnamorphicNoNo
Minimum Focus DistanceMissing25 cm
TypeZoomPrime
Aperture RangeMissing2.8 - 22
Filter Thread DiameterMissing77
Lens GroupsMissing10
Lens ElementsMissing11
Image StabilizationNoNo
ParfocalYesMissing
AutofocusEvetEvet
MacroMissingNo
Weather SealMissingYes
Full Frame CoverageMissingYes


Camera Verdict

This comparison of Sigma 24-70mm F2.8 DG OS HSM Art - Canon EF and Zeiss Batis 2.8/18 was last updated on December 19, 2024.