Viltrox 75mm f/1.2 AF (Fuji FX) vs Sigma 18-50mm f/2,8 DC DN Contemporary Fuji XF

Viltrox 75mm f/1.2 AF (Fuji FX)

Viltrox 75mm f/1.2 AF (Fuji FX)

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Sigma 18-50mm f/2,8 DC DN Contemporary Fuji XF

Sigma 18-50mm f/2,8 DC DN Contemporary Fuji XF

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Viltrox 75mm f/1.2 AF (Fuji FX) vs Sigma 18-50mm f/2,8 DC DN Contemporary Fuji XF

When comparing Sigma 18-50mm f/2,8 DC DN Contemporary Fuji XF and Viltrox 75mm f/1.2 AF (Fuji FX), which one is better?

1. Lens Weight Comparison

Regarding the weight of the lenses, Sigma 18-50mm f/2,8 DC DN Contemporary - Fuji XF is the winner with a weight of 290 g compared to the 670 g that Viltrox 75mm f/1.2 AF - (Fuji FX) weighs.

Winner: Sigma 18-50mm f/2,8 DC DN Contemporary Fuji XF

Regarding weight: The weight of a lens is something you need to consider, since you have to carry it around on the camera as long as you're shooting. It adds to the total weight of your camera and it's important to keep the weight low if you get tired in your arms when taking photographs or filming.

2. Lens Mount Comparison

These two lenses use the same lens mount, the Fujifilm XF. This means that both lenses are compatible with cameras that use this mount.

Winner: Tied

Regarding lens mount: Popular lens mounts are Canon RF and EF, Micro Four Thirds and Nikon Z. Different lens mounts lets you connect different lenses to camera bodies, but some might not be compatible. This can be helped by using an adapter, like a Canon EF to RF adapter.

3. Largest Aperture Comparison

The Viltrox 75mm f/1.2 AF - (Fuji FX) has the largest aperture of the two lenses at 1.2 compared to the 2.8 aperture of Sigma 18-50mm f/2,8 DC DN Contemporary - Fuji XF. This means that you get more light to your sensor using Viltrox 75mm f/1.2 AF - (Fuji FX) wide open, and therefore it might be a better lens in dark situations.

Winner: Viltrox 75mm f/1.2 AF (Fuji FX)

Regarding largest aperture: A lower aperture number means that the widest aperture on the lens is larger. This means that more light will hit the sensor and also that the depth of field will be shallower, better separating your subject from the background.

4. Anamorphic Comparison

Neither Sigma 18-50mm f/2,8 DC DN Contemporary - Fuji XF or Viltrox 75mm f/1.2 AF - (Fuji FX) are anamorphic lenses.

Winner: Tied — Neither have this feature

Regarding anamorphic: Anamorphic lenses are usually used on cinema cameras and squeezes the image when its recorded, which gives the final, stretched out, image oval bokeh and a different angle of view. The most common lenses, however, are not anamorphic but spherical, which gives a spherical bokeh and is a much cheaper lens design.

5. Focus Distance Comparison

Sigma 18-50mm f/2,8 DC DN Contemporary - Fuji XF features a minimum focus distance of 12 cm while Viltrox 75mm f/1.2 AF - (Fuji FX) has a minimum focus distance of 88 cm. Depending on your shooting style, the Sigma 18-50mm f/2,8 DC DN Contemporary - Fuji XF might be a better choice.

Winner: Sigma 18-50mm f/2,8 DC DN Contemporary Fuji XF

Regarding minimum focus distance: The minimum focus distance of a lens is the smallest distance from the lens to the subject you want to be in focus; subjects closer than the lens' minimum focus distance will not be in focus. Whether or not this is important to you is up for you to decide, but some want to take close photos and videos and in those cases it's important to have a lens with a low minimum focus distance.

6. Lens Type Comparison

The Viltrox 75mm f/1.2 AF - (Fuji FX) is a Prime lens while the Sigma 18-50mm f/2,8 DC DN Contemporary - Fuji XF is a Zoom lens. Whether or not a zoom lens or a prime lens is what you need, is up to you to decide; they both have their respective strengths and weaknesses.

Winner: Tied — It depends on your gear

Regarding type: There are two types of lenses; zoom lenses and prime lenses. Prime lenses have a fixed focal length and cannot be zoomed, while zoom lenses have a focal length range and can be zoomed in to get closer to the subject. Prime lenses are usually lighter, cheaper and let in more light. Zoom lenses are more versatile but are more expensive since they require a more advanced lens design.

7. Stabilization Comparison

Neither Viltrox 75mm f/1.2 AF - (Fuji FX) or Sigma 18-50mm f/2,8 DC DN Contemporary - Fuji XF feature built-in image stabilization.

Winner: Tied — Neither have this feature

Regarding image stabilization: When a lens features built-in stabilization, it will actively help you hold the image steady by adjusting the optical elements inside the lens to compensate for movements. Do remember that lens stabilization is not required, but it may be suitable depending on your specific needs.

8. Autofocus Comparison

Both lenses have autofocus, which means that they're both great at focusing targets while taking photographs or filming video. Just remember, most cameras do not offer good autofocus while filming video.

Winner: Tied — both have this feature

Regarding autofocus: Lenses with autofocus help you focus when shooting pictures or video. If a lens only has manual focus it means that you have to focus manually by adjusting the focus wheel on the lens. Most cinema lenses do not use autofocus and are manual focus only.


Specifications

Full specifications table of Viltrox 75mm f/1.2 AF (Fuji FX) and Sigma 18-50mm f/2,8 DC DN Contemporary Fuji XF:

Viltrox 75mm f/1.2 AF - (Fuji FX) Sigma 18-50mm f/2,8 DC DN Contemporary - Fuji XF
Viltrox 75mm f/1.2 AF - (Fuji FX)Sigma 18-50mm f/2,8 DC DN Contemporary - Fuji XF

Price ➔

Price ➔

BrandViltroxSigma
Weight670 g290 g
Lens MountFujifilm XFFujifilm XF
Focal Length75 mm18 - 50 mm
Largest Aperture1.22.8
AnamorphicNoNo
Minimum Focus Distance88 cm12 cm
TypePrimeZoom
Aperture Range1.2 - 162.8 - 22
Filter Thread DiameterMissing55
Lens Front Diameter (Not Filter Thread)Missing7 mm
Lens Groups1110
Lens Elements1613
Image StabilizationNoNo
AutofocusEvetEvet
MacroNoMissing
Full Frame CoverageMissingNo


Camera Verdict

This comparison of Viltrox 75mm f/1.2 AF - (Fuji FX) and Sigma 18-50mm f/2,8 DC DN Contemporary - Fuji XF was last updated on December 19, 2024.