Sigma 135mm F1.8 DG HSM Art Canon
Sigma 40mm T1.5 FF (Sony E)
When comparing Sigma 40mm T1.5 FF (Sony E) and Sigma 135mm F1.8 DG HSM Art Canon, which one is better?
The lenses each feature different lens mounts — the Sigma 135mm F1.8 DG HSM Art - Canon features a Canon EF while the Sigma 40mm T1.5 FF - (Sony E) features a Sony E — and because of this the preference varies. If you have a compatible camera, then of course that lens will be a better choice for you.
Winner: Tied — It depends on your gear
Regarding lens mount: Popular lens mounts are Canon RF and EF, Micro Four Thirds and Nikon Z. Different lens mounts lets you connect different lenses to camera bodies, but some might not be compatible. This can be helped by using an adapter, like a Canon EF to RF adapter.
The Sigma 40mm T1.5 FF - (Sony E) has the largest aperture of the two lenses at 1.5 compared to the 1.8 aperture of Sigma 135mm F1.8 DG HSM Art - Canon. This means that you get more light to your sensor using Sigma 40mm T1.5 FF - (Sony E) wide open, and therefore it might be a better lens in dark situations.
Winner: Sigma 40mm T1.5 FF (Sony E)
Regarding largest aperture: A lower aperture number means that the widest aperture on the lens is larger. This means that more light will hit the sensor and also that the depth of field will be shallower, better separating your subject from the background.
Neither Sigma 40mm T1.5 FF - (Sony E) or Sigma 135mm F1.8 DG HSM Art - Canon are anamorphic lenses.
Winner: Tied — Neither have this feature
Regarding anamorphic: Anamorphic lenses are usually used on cinema cameras and squeezes the image when its recorded, which gives the final, stretched out, image oval bokeh and a different angle of view. The most common lenses, however, are not anamorphic but spherical, which gives a spherical bokeh and is a much cheaper lens design.
Both lenses are Prime lenses, which means that you can choose both Sigma 135mm F1.8 DG HSM Art - Canon or Sigma 40mm T1.5 FF - (Sony E) if you're looking for that type of lens.
Winner: Tied
Regarding type: There are two types of lenses; zoom lenses and prime lenses. Prime lenses have a fixed focal length and cannot be zoomed, while zoom lenses have a focal length range and can be zoomed in to get closer to the subject. Prime lenses are usually lighter, cheaper and let in more light. Zoom lenses are more versatile but are more expensive since they require a more advanced lens design.
In regards to autofocus, the winner is Sigma 135mm F1.8 DG HSM Art - Canon since the other lens in this comparison, the Sigma 40mm T1.5 FF - (Sony E) does not have autofocus at all — it is a manual focus lens.
Winner: Sigma 135mm F1.8 DG HSM Art Canon
Regarding autofocus: Lenses with autofocus help you focus when shooting pictures or video. If a lens only has manual focus it means that you have to focus manually by adjusting the focus wheel on the lens. Most cinema lenses do not use autofocus and are manual focus only.
Full specifications table of Sigma 135mm F1.8 DG HSM Art Canon and Sigma 40mm T1.5 FF (Sony E):
Sigma 135mm F1.8 DG HSM Art - Canon | Sigma 40mm T1.5 FF - (Sony E) | |
Brand | Sigma | Sigma |
Weight | Missing | 1620 g |
Lens Mount | Canon EF | Sony E |
Focal Length | 135 mm | 40 mm |
Largest Aperture | 1.8 | 1.5 |
Anamorphic | No | No |
Minimum Focus Distance | Missing | 40 cm |
Type | Prime | Prime |
Aperture Range | Missing | 1.5 - 16 |
Filter Thread Diameter | Missing | 82 |
Image Stabilization | Missing | Yes |
Autofocus | Evet | Hayır |
Macro | Missing | No |
Weather Seal | Missing | Yes |
Full Frame Coverage | Missing | Yes |
Lens Hood Included | Missing | No |