SLR Magic Cine 35mm f/1.2 FE (Sony E) vs Sigma 100-400/5-6,3 DG DN OS Sony E

SLR Magic Cine 35mm f/1.2 FE (Sony E)

SLR Magic Cine 35mm f/1.2 FE (Sony E)

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Sigma 100-400/5-6,3 DG DN OS Sony E

Sigma 100-400/5-6,3 DG DN OS Sony E

Price Check ➔



SLR Magic Cine 35mm f/1.2 FE (Sony E) vs Sigma 100-400/5-6,3 DG DN OS Sony E

When comparing Sigma 100-400/5-6,3 DG DN OS Sony E and SLR Magic Cine 35mm f/1.2 FE (Sony E), which one is better?

1. Lens Weight Comparison

Regarding the weight of the lenses, SLR Magic Cine 35mm f/1.2 FE (Sony E) is the winner with a weight of 535 g compared to the 1160 g that Sigma 100-400/5-6,3 DG DN OS Contemporary - Sony E weighs.

Winner: SLR Magic Cine 35mm f/1.2 FE (Sony E)

Regarding weight: The weight of a lens is something you need to consider, since you have to carry it around on the camera as long as you're shooting. It adds to the total weight of your camera and it's important to keep the weight low if you get tired in your arms when taking photographs or filming.

2. Lens Mount Comparison

These two lenses use the same lens mount, the Sony E. This means that both lenses are compatible with cameras that use this mount.

Winner: Tied

Regarding lens mount: Popular lens mounts are Canon RF and EF, Micro Four Thirds and Nikon Z. Different lens mounts lets you connect different lenses to camera bodies, but some might not be compatible. This can be helped by using an adapter, like a Canon EF to RF adapter.

3. Largest Aperture Comparison

The SLR Magic Cine 35mm f/1.2 FE (Sony E) has the largest aperture of the two lenses at 1.2 compared to the 5 - 6.3 aperture of Sigma 100-400/5-6,3 DG DN OS Contemporary - Sony E. This means that you get more light to your sensor using SLR Magic Cine 35mm f/1.2 FE (Sony E) wide open, and therefore it might be a better lens in dark situations.

Winner: SLR Magic Cine 35mm f/1.2 FE (Sony E)

Regarding largest aperture: A lower aperture number means that the widest aperture on the lens is larger. This means that more light will hit the sensor and also that the depth of field will be shallower, better separating your subject from the background.

4. Anamorphic Comparison

Neither Sigma 100-400/5-6,3 DG DN OS Contemporary - Sony E or SLR Magic Cine 35mm f/1.2 FE (Sony E) are anamorphic lenses.

Winner: Tied — Neither have this feature

Regarding anamorphic: Anamorphic lenses are usually used on cinema cameras and squeezes the image when its recorded, which gives the final, stretched out, image oval bokeh and a different angle of view. The most common lenses, however, are not anamorphic but spherical, which gives a spherical bokeh and is a much cheaper lens design.

5. Lens Type Comparison

The SLR Magic Cine 35mm f/1.2 FE (Sony E) is a Prime lens while the Sigma 100-400/5-6,3 DG DN OS Contemporary - Sony E is a Zoom lens. Whether or not a zoom lens or a prime lens is what you need, is up to you to decide; they both have their respective strengths and weaknesses.

Winner: Tied — It depends on your gear

Regarding type: There are two types of lenses; zoom lenses and prime lenses. Prime lenses have a fixed focal length and cannot be zoomed, while zoom lenses have a focal length range and can be zoomed in to get closer to the subject. Prime lenses are usually lighter, cheaper and let in more light. Zoom lenses are more versatile but are more expensive since they require a more advanced lens design.

6. Stabilization Comparison

Sigma 100-400/5-6,3 DG DN OS Contemporary - Sony E features built-in image stabilization and SLR Magic Cine 35mm f/1.2 FE (Sony E) does not. Depending on your shooting style, this may be a heavy factor to choose Sigma 100-400/5-6,3 DG DN OS Contemporary - Sony E instead of SLR Magic Cine 35mm f/1.2 FE (Sony E).

Winner: Sigma 100-400/5-6,3 DG DN OS Sony E

Regarding image stabilization: When a lens features built-in stabilization, it will actively help you hold the image steady by adjusting the optical elements inside the lens to compensate for movements. Do remember that lens stabilization is not required, but it may be suitable depending on your specific needs.

7. Autofocus Comparison

In regards to autofocus, the winner is Sigma 100-400/5-6,3 DG DN OS Contemporary - Sony E since the other lens in this comparison, the SLR Magic Cine 35mm f/1.2 FE (Sony E) does not have autofocus at all — it is a manual focus lens.

Winner: Sigma 100-400/5-6,3 DG DN OS Sony E

Regarding autofocus: Lenses with autofocus help you focus when shooting pictures or video. If a lens only has manual focus it means that you have to focus manually by adjusting the focus wheel on the lens. Most cinema lenses do not use autofocus and are manual focus only.


Specifications

Full specifications table of SLR Magic Cine 35mm f/1.2 FE (Sony E) and Sigma 100-400/5-6,3 DG DN OS Sony E:

SLR Magic Cine 35mm f/1.2 FE (Sony E) Sigma 100-400/5-6,3 DG DN OS Contemporary - Sony E
SLR Magic Cine 35mm f/1.2 FE (Sony E)Sigma 100-400/5-6,3 DG DN OS Contemporary - Sony E

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BrandSLR MagicSigma
Weight535 g1160 g
Lens MountSony ESony E
Focal Length35 mm100 - 400 mm
Largest Aperture1.25 - 6.3
AnamorphicNoNo
Minimum Focus DistanceMissing112 cm
TypePrimeZoom
Filter Thread DiameterMissing67
Aperture BladesMissing9
Lens Groups816
Lens Elements922
Image StabilizationNoYes
ParfocalYesMissing
AutofocusHayırEvet
MacroMissingNo
Weather SealMissingNo
Full Frame CoverageMissingYes
Lens Hood IncludedMissingYes
Stabilization TypeMissingSigma Optical Stabilizer (OS)


Camera Verdict

This comparison of SLR Magic Cine 35mm f/1.2 FE (Sony E) and Sigma 100-400/5-6,3 DG DN OS Contemporary - Sony E was last updated on December 19, 2024.