Sigma 24-70/2.8 DG DN Art (Sony E)
Samyang V-AF 75mm T 1.9 Sony FE
When comparing Samyang V-AF 75mm T 1.9 Sony FE and Sigma 24-70/2.8 DG DN Art (Sony E), which one is better?
Regarding the weight of the lenses, Samyang V-AF 75mm T 1.9 - Sony FE is the winner with a weight of 280 g compared to the 830 g that Sigma 24-70/2.8 DG DN Art (Sony E) weighs.
Winner: Samyang V-AF 75mm T 1.9 Sony FE
Regarding weight: The weight of a lens is something you need to consider, since you have to carry it around on the camera as long as you're shooting. It adds to the total weight of your camera and it's important to keep the weight low if you get tired in your arms when taking photographs or filming.
These two lenses use the same lens mount, the Sony E. This means that both lenses are compatible with cameras that use this mount.
Winner: Tied
Regarding lens mount: Popular lens mounts are Canon RF and EF, Micro Four Thirds and Nikon Z. Different lens mounts lets you connect different lenses to camera bodies, but some might not be compatible. This can be helped by using an adapter, like a Canon EF to RF adapter.
The Samyang V-AF 75mm T 1.9 - Sony FE has the largest aperture of the two lenses at 1.9 compared to the 2.8 aperture of Sigma 24-70/2.8 DG DN Art (Sony E). This means that you get more light to your sensor using Samyang V-AF 75mm T 1.9 - Sony FE wide open, and therefore it might be a better lens in dark situations.
Winner: Samyang V-AF 75mm T 1.9 Sony FE
Regarding largest aperture: A lower aperture number means that the widest aperture on the lens is larger. This means that more light will hit the sensor and also that the depth of field will be shallower, better separating your subject from the background.
Neither Samyang V-AF 75mm T 1.9 - Sony FE or Sigma 24-70/2.8 DG DN Art (Sony E) are anamorphic lenses.
Winner: Tied — Neither have this feature
Regarding anamorphic: Anamorphic lenses are usually used on cinema cameras and squeezes the image when its recorded, which gives the final, stretched out, image oval bokeh and a different angle of view. The most common lenses, however, are not anamorphic but spherical, which gives a spherical bokeh and is a much cheaper lens design.
Sigma 24-70/2.8 DG DN Art (Sony E) features a minimum focus distance of 18 cm while Samyang V-AF 75mm T 1.9 - Sony FE has a minimum focus distance of 69 cm. Depending on your shooting style, the Sigma 24-70/2.8 DG DN Art (Sony E) might be a better choice.
Winner: Sigma 24-70/2.8 DG DN Art (Sony E)
Regarding minimum focus distance: The minimum focus distance of a lens is the smallest distance from the lens to the subject you want to be in focus; subjects closer than the lens' minimum focus distance will not be in focus. Whether or not this is important to you is up for you to decide, but some want to take close photos and videos and in those cases it's important to have a lens with a low minimum focus distance.
The Sigma 24-70/2.8 DG DN Art (Sony E) is a Zoom lens while the Samyang V-AF 75mm T 1.9 - Sony FE is a Prime lens. Whether or not a zoom lens or a prime lens is what you need, is up to you to decide; they both have their respective strengths and weaknesses.
Winner: Tied — It depends on your gear
Regarding type: There are two types of lenses; zoom lenses and prime lenses. Prime lenses have a fixed focal length and cannot be zoomed, while zoom lenses have a focal length range and can be zoomed in to get closer to the subject. Prime lenses are usually lighter, cheaper and let in more light. Zoom lenses are more versatile but are more expensive since they require a more advanced lens design.
The Sigma 24-70/2.8 DG DN Art (Sony E) feature a filter thread diameter of 82 mm while Samyang V-AF 75mm T 1.9 - Sony FE feature a diameter of 58 mm. Depending on your current gear (like other lenses or filters) one of them might be favorable over the other.
Winner: Tied — It depends on your gear
Regarding filter thread diameter: The filter thread diameter is the size of which the lens is compatible with screw-on filters, such as CPL, ND or IR filters. If you have several lenses of a certain size, it might be a good idea to keep the same filter thread size to make sure your filters work on all your lenses. If not, then you may buy step up rings to adapt from a certain diameter to the filter thread diameter of your other lenses.
Sigma 24-70/2.8 DG DN Art (Sony E) has 11 aperture blades, which makes it possible to have smoother bokeh than with the Samyang V-AF 75mm T 1.9 - Sony FE that has 9 aperture blades.
Winner: Sigma 24-70/2.8 DG DN Art (Sony E)
Regarding aperture blades: The number of aperture blades makes a difference because the bokeh is smoother the more aperture blades the lens has. Of course, this does not mean the lens is better in other regards, but it can be an interesting aspect when deciding of a lens.
Both lenses have autofocus, which means that they're both great at focusing targets while taking photographs or filming video. Just remember, most cameras do not offer good autofocus while filming video.
Winner: Tied — both have this feature
Regarding autofocus: Lenses with autofocus help you focus when shooting pictures or video. If a lens only has manual focus it means that you have to focus manually by adjusting the focus wheel on the lens. Most cinema lenses do not use autofocus and are manual focus only.
Full specifications table of Sigma 24-70/2.8 DG DN Art (Sony E) and Samyang V-AF 75mm T 1.9 Sony FE:
Sigma 24-70/2.8 DG DN Art (Sony E) | Samyang V-AF 75mm T 1.9 - Sony FE | |
Brand | Sigma | Samyang |
Weight | 830 g | 280 g |
Lens Mount | Sony E | Sony E |
Focal Length | 24 - 70 mm | 75 mm |
Largest Aperture | 2.8 | 1.9 |
Anamorphic | No | No |
Minimum Focus Distance | 18 cm | 69 cm |
Type | Zoom | Prime |
Filter Thread Diameter | 82 | 58 |
Aperture Blades | 11 | 9 |
Lens Groups | 15 | 9 |
Lens Elements | 19 | 10 |
Image Stabilization | No | Missing |
Parfocal | Yes | Missing |
Autofocus | Evet | Evet |
Macro | No | Missing |
Weather Seal | Missing | Yes |
Full Frame Coverage | Missing | Yes |