Zeiss Batis Distagon 2/40 CF vs Meike 6.5mm F2.0 APS-C Fisheye (Sony E Mount)

Zeiss Batis Distagon 2/40 CF

Zeiss Batis Distagon 2/40 CF

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Meike 6.5mm F2.0 APS-C Fisheye (Sony E Mount)

Meike 6.5mm F2.0 APS-C Fisheye (Sony E Mount)

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Zeiss Batis Distagon 2/40 CF vs Meike 6.5mm F2.0 APS-C Fisheye (Sony E Mount)

When comparing Meike 6.5mm F2.0 APS-C Fisheye (Sony E Mount) and Zeiss Batis Distagon 2/40 CF, which one is better?

1. Lens Weight Comparison

Regarding the weight of the lenses, Meike 6.5mm F2.0 APS-C Fisheye - (Sony E Mount) is the winner with a weight of 300 g compared to the 361 g that Zeiss Batis Distagon 2/40 CF weighs.

Winner: Meike 6.5mm F2.0 APS-C Fisheye (Sony E Mount)

Regarding weight: The weight of a lens is something you need to consider, since you have to carry it around on the camera as long as you're shooting. It adds to the total weight of your camera and it's important to keep the weight low if you get tired in your arms when taking photographs or filming.

2. Lens Mount Comparison

These two lenses use the same lens mount, the Sony E. This means that both lenses are compatible with cameras that use this mount.

Winner: Tied

Regarding lens mount: Popular lens mounts are Canon RF and EF, Micro Four Thirds and Nikon Z. Different lens mounts lets you connect different lenses to camera bodies, but some might not be compatible. This can be helped by using an adapter, like a Canon EF to RF adapter.

3. Largest Aperture Comparison

Both lenses share the same aperture of 2 — this means that you may buy both Zeiss Batis Distagon 2/40 CF and Meike 6.5mm F2.0 APS-C Fisheye - (Sony E Mount) in this regard; they''re the same.

Winner: Tied

Regarding largest aperture: A lower aperture number means that the widest aperture on the lens is larger. This means that more light will hit the sensor and also that the depth of field will be shallower, better separating your subject from the background.

4. Anamorphic Comparison

Neither Meike 6.5mm F2.0 APS-C Fisheye - (Sony E Mount) or Zeiss Batis Distagon 2/40 CF are anamorphic lenses.

Winner: Tied — Neither have this feature

Regarding anamorphic: Anamorphic lenses are usually used on cinema cameras and squeezes the image when its recorded, which gives the final, stretched out, image oval bokeh and a different angle of view. The most common lenses, however, are not anamorphic but spherical, which gives a spherical bokeh and is a much cheaper lens design.

5. Lens Type Comparison

Both lenses are Prime lenses, which means that you can choose both Zeiss Batis Distagon 2/40 CF or Meike 6.5mm F2.0 APS-C Fisheye - (Sony E Mount) if you're looking for that type of lens.

Winner: Tied

Regarding type: There are two types of lenses; zoom lenses and prime lenses. Prime lenses have a fixed focal length and cannot be zoomed, while zoom lenses have a focal length range and can be zoomed in to get closer to the subject. Prime lenses are usually lighter, cheaper and let in more light. Zoom lenses are more versatile but are more expensive since they require a more advanced lens design.

6. Stabilization Comparison

Neither Zeiss Batis Distagon 2/40 CF or Meike 6.5mm F2.0 APS-C Fisheye - (Sony E Mount) feature built-in image stabilization.

Winner: Tied — Neither have this feature

Regarding image stabilization: When a lens features built-in stabilization, it will actively help you hold the image steady by adjusting the optical elements inside the lens to compensate for movements. Do remember that lens stabilization is not required, but it may be suitable depending on your specific needs.

7. Autofocus Comparison

Both lenses have autofocus, which means that they're both great at focusing targets while taking photographs or filming video. Just remember, most cameras do not offer good autofocus while filming video.

Winner: Tied — both have this feature

Regarding autofocus: Lenses with autofocus help you focus when shooting pictures or video. If a lens only has manual focus it means that you have to focus manually by adjusting the focus wheel on the lens. Most cinema lenses do not use autofocus and are manual focus only.

8. Full Frame Comparison

Zeiss Batis Distagon 2/40 CF covers a full frame sensor while Meike 6.5mm F2.0 APS-C Fisheye - (Sony E Mount) does not. If you have a full frame camera then Zeiss Batis Distagon 2/40 CF is the only choice for you in this comparison.

Winner: Zeiss Batis Distagon 2/40 CF

Regarding full frame coverage: All lenses do not cover full frame sensors, but not all cameras are full frame cameras either. If a lens covers a full frame sensor it can be used on all cameras with a matching lens mount, both full frame and crop sensors, except for medium format cameras.


Specifications

Full specifications table of Zeiss Batis Distagon 2/40 CF and Meike 6.5mm F2.0 APS-C Fisheye (Sony E Mount):

Zeiss Batis Distagon 2/40 CF Meike 6.5mm F2.0 APS-C Fisheye - (Sony E Mount)
Zeiss Batis Distagon 2/40 CFMeike 6.5mm F2.0 APS-C Fisheye - (Sony E Mount)

Price ➔

Price ➔

BrandZeissMeike
Weight361 g300 g
Lens MountSony ESony E
Focal Length40 mm6.5 mm
Largest Aperture22
AnamorphicNoNo
Minimum Focus Distance24 cmMissing
TypePrimePrime
Aperture Range2 - 22Missing
Filter Thread Diameter67Missing
Lens Groups8Missing
Lens Elements9Missing
Image StabilizationNoNo
AutofocusEvetEvet
MacroMissingNo
Weather SealMissingNo
Full Frame CoverageYesNo


Camera Verdict

This comparison of Zeiss Batis Distagon 2/40 CF and Meike 6.5mm F2.0 APS-C Fisheye - (Sony E Mount) was last updated on December 19, 2024.