Sony FE 16-35mm F2.8 GM vs Irix 45mm T1.5 Sony E
Sony FE 16-35mm F2.8 GM vs Irix 45mm T1.5 Sony E
When comparing Irix 45mm T1.5 Sony E and Sony FE 16-35mm F2.8 GM, which one is better?
1. Lens Weight Comparison
Regarding the weight of the lenses, Sony FE 16-35mm F2.8 GM is the winner with a weight of 680 g compared to the 1100 g that Irix 45mm T1.5 - Sony E weighs.
Winner: Sony FE 16-35mm F2.8 GM
Regarding weight: The weight of a lens is something you need to consider, since you have to carry it around on the camera as long as you're shooting. It adds to the total weight of your camera and it's important to keep the weight low if you get tired in your arms when taking photographs or filming.
2. Lens Mount Comparison
These two lenses use the same lens mount, the Sony E. This means that both lenses are compatible with cameras that use this mount.
Winner: Tied
Regarding lens mount: Popular lens mounts are Canon RF and EF, Micro Four Thirds and Nikon Z. Different lens mounts lets you connect different lenses to camera bodies, but some might not be compatible. This can be helped by using an adapter, like a Canon EF to RF adapter.
3. Largest Aperture Comparison
The Irix 45mm T1.5 - Sony E has the largest aperture of the two lenses at 1.5 compared to the 2.8 aperture of Sony FE 16-35mm F2.8 GM. This means that you get more light to your sensor using Irix 45mm T1.5 - Sony E wide open, and therefore it might be a better lens in dark situations.
Winner: Irix 45mm T1.5 Sony E
Regarding largest aperture: A lower aperture number means that the widest aperture on the lens is larger. This means that more light will hit the sensor and also that the depth of field will be shallower, better separating your subject from the background.
4. Anamorphic Comparison
Neither Irix 45mm T1.5 - Sony E or Sony FE 16-35mm F2.8 GM are anamorphic lenses.
Winner: Tied — Neither have this feature
Regarding anamorphic: Anamorphic lenses are usually used on cinema cameras and squeezes the image when its recorded, which gives the final, stretched out, image oval bokeh and a different angle of view. The most common lenses, however, are not anamorphic but spherical, which gives a spherical bokeh and is a much cheaper lens design.
5. Filter Thread Comparison
The Sony FE 16-35mm F2.8 GM feature a filter thread diameter of 82 mm while Irix 45mm T1.5 - Sony E feature a diameter of 86 mm. Depending on your current gear (like other lenses or filters) one of them might be favorable over the other.
Winner: Tied — It depends on your gear
Regarding filter thread diameter: The filter thread diameter is the size of which the lens is compatible with screw-on filters, such as CPL, ND or IR filters. If you have several lenses of a certain size, it might be a good idea to keep the same filter thread size to make sure your filters work on all your lenses. If not, then you may buy step up rings to adapt from a certain diameter to the filter thread diameter of your other lenses.
6. Aperture Blade Comparison
Sony FE 16-35mm F2.8 GM has 11 aperture blades, which makes it possible to have smoother bokeh than with the Irix 45mm T1.5 - Sony E that has 9 aperture blades.
Winner: Sony FE 16-35mm F2.8 GM
Regarding aperture blades: The number of aperture blades makes a difference because the bokeh is smoother the more aperture blades the lens has. Of course, this does not mean the lens is better in other regards, but it can be an interesting aspect when deciding of a lens.
7. Autofocus Comparison
In regards to autofocus, the winner is Sony FE 16-35mm F2.8 GM since the other lens in this comparison, the Irix 45mm T1.5 - Sony E does not have autofocus at all — it is a manual focus lens.
Winner: Sony FE 16-35mm F2.8 GM
Regarding autofocus: Lenses with autofocus help you focus when shooting pictures or video. If a lens only has manual focus it means that you have to focus manually by adjusting the focus wheel on the lens. Most cinema lenses do not use autofocus and are manual focus only.
8. Weather Seal Comparison
Both Sony FE 16-35mm F2.8 GM and Irix 45mm T1.5 - Sony E feature a weather sealed design, making them both great in that aspect.
Winner: Tied — both have this feature
Regarding weather seal: A lens that is weather sealed will perform better over time if you're using the lens in harsh conditions where it's wet or dusty. It may not matter if you're merely using your lens in a studio or in your home.
9. Full Frame Comparison
Both Irix 45mm T1.5 - Sony E and Sony FE 16-35mm F2.8 GM cover a full frame sensor and can be used on full frame cameras as well as cameras with smaller sensors.
Winner: Tied — both have this feature
Regarding full frame coverage: All lenses do not cover full frame sensors, but not all cameras are full frame cameras either. If a lens covers a full frame sensor it can be used on all cameras with a matching lens mount, both full frame and crop sensors, except for medium format cameras.
Specifications
Full specifications table of Sony FE 16-35mm F2.8 GM and Irix 45mm T1.5 Sony E:
| Sony FE 16-35mm F2.8 GM | Irix 45mm T1.5 - Sony E | |
 |  | |
| Brand | Sony | Irix |
| Weight | 680 g | 1100 g |
| Lens Mount | Sony E | Sony E |
| Focal Length | 16 - 35 mm | 45 mm |
| Largest Aperture | 2.8 | 1.5 |
| Anamorphic | No | No |
| Minimum Focus Distance | 28 cm | Missing |
| Type | Zoom | Missing |
| Aperture Range | 2.8 - 22 | 1.5 - 22 |
| Filter Thread Diameter | 82 | 86 |
| Lens Front Diameter (Not Filter Thread) | Missing | 95 mm |
| Aperture Blades | 11 | 9 |
| Lens Groups | 13 | 9 |
| Lens Elements | 16 | 11 |
| Image Stabilization | Missing | No |
| Autofocus | Evet | Hayır |
| Macro | Missing | No |
| Weather Seal | Yes | Yes |
| Full Frame Coverage | Yes | Yes |
| Lens Hood Included | Yes | No |