Canon CN-E 15.5-47mm T2.8 L S P
Sigma 24-70/2.8 DG DN Art (Sony E)
When comparing Sigma 24-70/2.8 DG DN Art (Sony E) and Canon CN-E 15.5-47mm T2.8 L S P, which one is better?
Both lenses share the same aperture of 2.8 — this means that you may buy both Canon CN-E 15.5-47mm T2.8 L S P and Sigma 24-70/2.8 DG DN Art (Sony E) in this regard; they''re the same.
Winner: Tied
Regarding largest aperture: A lower aperture number means that the widest aperture on the lens is larger. This means that more light will hit the sensor and also that the depth of field will be shallower, better separating your subject from the background.
Both lenses are Zoom lenses, which means that you can choose both Canon CN-E 15.5-47mm T2.8 L S P or Sigma 24-70/2.8 DG DN Art (Sony E) if you're looking for that type of lens.
Winner: Tied
Regarding type: There are two types of lenses; zoom lenses and prime lenses. Prime lenses have a fixed focal length and cannot be zoomed, while zoom lenses have a focal length range and can be zoomed in to get closer to the subject. Prime lenses are usually lighter, cheaper and let in more light. Zoom lenses are more versatile but are more expensive since they require a more advanced lens design.
Full specifications table of Canon CN-E 15.5-47mm T2.8 L S P and Sigma 24-70/2.8 DG DN Art (Sony E):
Canon CN-E 15.5-47mm T2.8 L S P | Sigma 24-70/2.8 DG DN Art (Sony E) | |
Brand | Canon | Sigma |
Weight | Missing | 830 g |
Lens Mount | Missing | Sony E |
Focal Length | 15.5 - 47 mm | 24 - 70 mm |
Largest Aperture | 2.8 | 2.8 |
Anamorphic | Missing | No |
Minimum Focus Distance | Missing | 18 cm |
Type | Zoom | Zoom |
Filter Thread Diameter | Missing | 82 |
Aperture Blades | Missing | 11 |
Lens Groups | Missing | 15 |
Lens Elements | Missing | 19 |
Image Stabilization | Missing | No |
Parfocal | Missing | Yes |
Autofocus | Missing | Evet |
Macro | Missing | No |